In this post we’ll look at some of the wonderful examples of picturebook illustration done with coloured pencils (or pencil crayons as they’re called in Canada.) Some of the following examples are pure pencil crayon and others layer coloured pencils over graphite drawings and/or watercolour or gouache underpaintings.

Strokes can be more or less visible, depending on your style. Compare Molly Idle and Suzy Lee (Ask Me) below.





Using visible strokes and soft blending together is very common.
As in the work above by Roslyn Schwartz, Seng Soun Ratanavanh in Time for Bed, Miyuki varies the pressure of pencil application to achieve different results. You can achieve optical mixing results by overlaying different colours with less pressure to give the impression of a third mixed colour.



Kaya Doi uses soft blending and creates outlines by leaving white paper showing.

Here she uses soft blue to make outlines in a mostly white scene.









Applying more pressure gives a more solid colour.



Watercolour and coloured pencil in Bear and Wolf by Daniel Salmieri









Pencil drawings with coloured pencil.




Light-toned coloured pencils look great on tinted paper
Also consider that:
- Paper with a tooth lets you add more layers of coloured pencil than smooth paper
- Sharpening by hand makes your colours last longer
- Professional coloured pencils are creamier and have more pigment
Now try it out yourself with the following tests and exercises from Beginning Colored Pencil by Eileen Sorg
Some more techniques
- use gouache for highlights
- frottage: colour over textures. Try it with a coin or corrugated cardboard.
- scratching: use a knife to scrape out
- impressing: dent the paper to create lines before colouring
- different textures of paper allow for more or less layering
- burnishing
Try making careful copies of the following two images from Devant Ma Maison by Marianne Dubuc. Notice the optical blending, leaving the white paper showing, and the instances of lighter and heavier pressure.

